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At my desk, showing woven samples, sketches, yarn color charts, material samples, inspirational pictures, test dyes, sketch books and pencils.

At my desk, showing woven samples, sketches, yarn color charts, material samples, inspirational pictures, test dyes, sketch books and pencils.

April 2016

Miriam Parkman March 31, 2021

Looking back on a series of analog photos taken by Angelica Elliot during the graduation project of 2016, when I was making my first big slitrya - “Lockrop/Längtan”. I love these photos and their real analog feel - how the colors come through and the grain that suits the motif so well. Like a still life documentary, Angelica captured what would become the beginning of my future practice; the “budding” of my love for the rya technique. It also shows the environment provided by Handarbetets Vänner: a small but rich space where so much of my knowledge started. Enjoy!

The full rainbow of colors after a successful dye day! The yarn is 100% Swedish rya sheep from Ekenäs farm in southwestern Sweden. Sadly they no longer produce this sturdy, shiny and amazing yarn.

The full rainbow of colors after a successful dye day! The yarn is 100% Swedish rya sheep from Ekenäs farm in southwestern Sweden. Sadly they no longer produce this sturdy, shiny and amazing yarn.

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Testing the tension of my warp during the beam-on.

Testing the tension of my warp during the beam-on.

Me and then-classmate, now-colleague Siri Pettersson helping out with someone else’s beam-on.

Me and then-classmate, now-colleague Siri Pettersson helping out with someone else’s beam-on.

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In Process, Rya, Photography, Sketches Tags Angelica Elliott, Analog photography, Analogt foto, Handarbetets Vänner, Examen, Graduation, Lockrop/Längtan, Rya, Slitrya, Wool
← Fuzzy winter wool collection drops tomorrow!Studio Supersju på Slöjdgalleriet i Linköping →
 

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